Skip to main content

The Fly


The Fly

Begins with a sound bridge (shotgun being cocked, and an audio line), immediately setting us up for what’s next to follow. Already sets the scene of a robbery, without the need for visual cues.

The title screen flashes brightly multiple times and in rapid succession, so anyone with epilepsy be sure to skip this one out. Other than catching our attention, it heightens expectations simply due to how overdramatic the film is with its entry.

Robbery never actually shown, only audio of men shouting violently and some scared screaming along with the bank’s closed doors shown, leaving us to assume the robbery is taking place.

The sound of the fly is continuously heightened and brought to the forefront, and the distinguishable, sharp buzzing.

No shot is entirely stationary; camera is at the very least swaying. Gives off a more naturalistic perspective, as rarely do people ever stand completely still.

Multiple shots of bank door, along with sound of chaos inside gives us a sense of time as it forces the audience to imagine the robbery progressing over time.

Man Vs Nature? Ironic how driver does everything in his might to get rid of the fly and it just keeps effortlessly buzzing around and coming back to haunt him.









Comments

Popular posts from this blog

Over

Over CCTV footage throughout the film – stationary cameras elevates tension through the film and constantly heightens expectations in each shot of the film. Flashbacks foreshadow what is to come in later in the film – juxtaposition of the past and future, working in tandem. Timeline moves backwards instead of forwards – Keeps audience watching to find out the cause of the events. No non-diegetic sound – all from the cameras in the world of the film. Again adds to tension of the film, lack of soundtrack increases the extended silence in the film. The final scene of the film is the body dropping on the car, and a plane flying overhead, revealing the subject of the film. Personally, the first time I watched it, the body falling on to the car was so sudden it gave me a scare. The minimalistic approach of the film adds quite a sombre tone to the narrative, it makes the death of the man even more sad.

Ellington Kid

Setting the scene, establishing shot. Location is central in the frame. Cheap family diner on a high street - working class location?  Two friends - One white, one black, shop chefs middle-eastern - diverse community. Both in centre of frame, sitting either side of table; setting scene up for conversation/dialogue.  Again, centre of frame, most important subject. Lights either side emphasise length of tunnel, emphasise length of pursuit. Slightly low angle shot, makes him look bigger in the frame.  Shot of blood, shows extent of damage done. 'Realisation' moment for audience, shows the damage gang violence can cause.  High angle shot of blood makes it look like it's coming out of a tap; heightens severity of injury.  Point in film where tension peaks - diagetic, non-diagetic sound all heighten, and after this shot flashbacks end, and the rest of the 'Ellington Kid' narrative is left to the audience's imagination.