Skip to main content

The Fly


The Fly

Begins with a sound bridge (shotgun being cocked, and an audio line), immediately setting us up for what’s next to follow. Already sets the scene of a robbery, without the need for visual cues.

The title screen flashes brightly multiple times and in rapid succession, so anyone with epilepsy be sure to skip this one out. Other than catching our attention, it heightens expectations simply due to how overdramatic the film is with its entry.

Robbery never actually shown, only audio of men shouting violently and some scared screaming along with the bank’s closed doors shown, leaving us to assume the robbery is taking place.

The sound of the fly is continuously heightened and brought to the forefront, and the distinguishable, sharp buzzing.

No shot is entirely stationary; camera is at the very least swaying. Gives off a more naturalistic perspective, as rarely do people ever stand completely still.

Multiple shots of bank door, along with sound of chaos inside gives us a sense of time as it forces the audience to imagine the robbery progressing over time.

Man Vs Nature? Ironic how driver does everything in his might to get rid of the fly and it just keeps effortlessly buzzing around and coming back to haunt him.

 

 

 

 

Comments

Popular posts from this blog

Storyboard First Draft

Storyboard replica from Kweku Addo This is the original storyboard, before the character changes were made. The setting is the same however. It differs to my final storyboard as these are stills taken from a scene i filmed, compared to the stills i took which replicated the scene.

Echo

Echo Recognisable ringtone – immediately know a phone call incoming Long shot of reaction Camera in cab stationary, shakes with bumps in road, adds realism to car journey Use of chiaroscuro to show isolation while smoking. Creative camera use of different depths of fields to show man smoking in reflection – clearly being established as some sort of vice in this film. Lack of sound adds tension and isn’t noticeable until car passes. Household relationships and roles quickly established – Rebellious teenager, innocent child sibling and frustrated parent. Long shot + conversation muted – gives a sense of distance: brother watching from afar. Bike’s in garage – foreshadowing an actual accident, likely involving child? Slow motion shot of Ollie cycling off – depicts importance. Depth of field used again here, shifting focus from passerbys to her. Same scene as the beginning, however slow motion shots added in – audience see through her act, and see her in a different...